Because of formatting issues on the other one, I had to chop it short. I continue the summaries here.
Anne of Ingleside
Apparently this book was added later on, Rilla of Ingleside came first. If so, Montgomery's pretty good at maintaining the continuity. If you like children, these sketches are for you. Anne undoubtedly has some very adorable children. There's Jem, the baby of the House of Dreams, grown up in red-headed glory. Then there's Walter, the dreamy boy who's inherited his mother's literary ability and something more, something that will make him renowned. Nan and Di are the twins, Nan a very pretty girl with chestnut curls like her Father, and Di with Anne's red hair and grey-green eyes, for which reason she is undoubtably Gilbert's favourite. (Funny, I thought favouritism wasn't healthy for children. And I don't see Di's self-esteem having a good future with such a pretty twin.). Shirley belongs to Susan, the general helper at Ingleside. He's her little brown boy. I don't think I'd like my son to be possessed by any other woman, even if they were like a maid, and even if I had so many others. And then there's Rilla, who doesn't feature much in this book, aside from being decidedly chubby and vain and lisping, much as she is at the beginning of Rilla of Ingleside. And these children make up the bulk of the story. Of course, it begins with Anne and Diana renewing their friendship with a wild ramble, but you get the sense that she's a removed from her previous life, as lovely as that was, because it's the natural course of things. Then there's the advent of a terrible aunt, one of Montgomery's crowning triumphs as far as I'm concerned, because she makes me want to laugh and throttle her similtaneously. The rest of the book is sweet sketches of her children and their mishaps (obviously, they've inherited her mother's tendency for scrapes). At the end, there's a final episode between Anne and Gilbert, over the 'other woman' Christine Stuart. I really dislike how Montgomery made her into the 'other woman' character - in Anne of the Island, Gilbert talks of her as "one of the nicest girls he knows" and even Anne through her jealousy, doesn't say anything about any defects of character. But here she's morphed into some terrible, spiteful woman clutching at past beaus, poisoning everyones happiness with her malicious, insinuating speeches. It's too much stereotyping.
Rainbow Valley
I found this one a bit dull. I know I have a loyalty complex, but I dont' think that's what's at work here. I think it's just a case of too many minor characters. There are the 6 children of Anne and Gilbert, and then the children of the neighbours, and so none of them get much time or words, and none of them really stand out, except for Walter, because he's the sensitive but brilliant potential poet. The relationship between John Meredith and Rosemary West was neither touching or convincing - I think by now Montgomery's gotten into the habit of adding a dash of romance into everything she writes, but it's lost its charm. I hate to say this becuase Montgomery was my favourite author as a kid and hugely influencial in my childhood, but I think she's kind of milked her small-town-coziness stories dry.
Rilla of Ingleside
Or not. Rilla is a brilliant character because she gets a reaction out of you. At the beginning she was a vain, infuriating little thing, but undeniably the heroine of the story. There was no getting past her. She isn't much like Anne. Anne was a deep soul in a child's body, both quirky and fiery, but ultimately with a good heart. You know there isn't anyone else like her. The sum of Rilla, on the other hand, is vanity - at least at the beginning.
The beautiful thing about the whole story, however, is how she grows. I love comign of age and growth stories. They speak so much to me because I think we've all got things we need to improve upon and grow out of. I won't spoil it but by the end, Rilla is right up there near Anne, for me.
Coupled with this is the heartwrenching war. You get the same desperate sense of uncertainty as the folks who lived through it, and died a little every time a newspaper bearing casualty lists came along. It's loss and tension and living on even after you don't want to anymore. Someone very special to us dies - but of course you have to read it to know.
Showing posts with label Anne series. Show all posts
Showing posts with label Anne series. Show all posts
Tuesday, November 8, 2011
Saturday, September 4, 2010
Anne of Green Gables Series - L M. Montgomery
This is a brilliant series, obviously her crowning work. If you read Montgomery's biography you will find she sufffered bouts of depression which show in her work - because the 'Pat' series is uniformly bland, as are some of her one-off books like the Blue Castle (I classify it as cheap romance). I grew up with this series and so did my best friends, so it has a lot of nostalgia and poignancy beyond the actual work, which is beautiful in itself. I think they're all available from gutenberg but I can't be sure because I have my own series, most of which is in the lovely Angus and Robertson editions you will see below.
Prior to Anne of Green Gables, there were a lot of these orphan adoption stories. Ruth Fielding, Pollyanna. But I feel, although I don't have the research to prove it, that it all came to an end with Anne of Green Gables, because this book is literature. It is a gem. Not only does it have such beautiful descriptions of Prince Edward Island (henceforth, P.E.I), harum-scarum Anne is immortal. She's a character as never known before - such good intentions, but so far from perfect, always the perpetrator of some "scrape", such quaint language, and such a way with people that readers are as equally charmed as, say, Marilla. Anne is stubborn and strong-willed, an optimist who learns and loves. Her feud with Gilbert Blythe is a thread that binds the book together, to the end where she forgives him and they become such friends. This book stands so well on its own, everytime I read it I get a sense of completion at the end that doesn't come with the other books. You get a strong sense of the town life with all the comings and goings of so many families, and all that clannishness. Although I've always felt Diana was sweet, but not of Anne's calibre and may fall a little short as a best friend, loveable as she is. The scrapes they get into! The haunted wood, jumping on Aunt Josephine, the story club! It's such a laugh-out-loud read. And the cover reflects that, with the chummy smile on the face of a miniature Anne.Anne of Avonlea
Here, Anne undergoes a metamorphosis. She's slender and dainty and wears something of her soul in her limpid grey eyes, although she still gets into a few scrapes. The book opens with an argument with the new neighbour, Mr. Harris and his disreputable parrot, Ginger. She ends up accidently selling his cow. As it is in the first book, humor plays a large part in this novel, from when falls through the roof of someone's duck house, to when she and Marilla adopt a set of twins. Dora is prim and proper, but Davy is an adorable, irascible "holy terror". She and Gilbert also start the AVIS, the Avonlea Improvement Society, and happen to paint the hall bright blue! Anne is teaching this year and wins the love of every little soul, down to Anthony Pye of the infamous Pyes. And at the end, Gilbert is there to help her cross her threshold into womanhood. It is such an amusing read, with much of the same spirit as Anne of Green Gables. I love the cover and font of this one. Its in the impressionist, hazy brushstrokes that I think conveys Anne's soul very well.
Anne of the Island
I really like these editions of the series, by Angus and Robertson. Anne is very true to life, just as a imagined her, with the dreamy face and freckles. It has her down pat, just as Megan Follows has her down pat in the Anne of Green Gables movie.
Anne of Windy Willows (also published as Anne of Windy Poplars)Definately one of my favourites in the series. This book just hums with life. Anne has accepted the principalship of a private girls school whilst waiting out the three years until her marriage to -humm-. Again, the cover is beautiful to behold. I love the quirk of her nose and the richness of her hair, she IS Anne. The cat is Dusty Miller and the little golden girl is little Elizabeth, quaint and pixyish. The illustrator, Margaret Power, must have really enjoyed the series.
It's an epistolary novel punctuated by bits of quaint storytelling. The whole story is charming. Anne is up against the elite of Summerside, the Pringles, who run the place. They have a grudge against her and really wage warfare against her. Suddenly and unexpectedly, she wins their support through the most surprising of events. There's also a prickly vice-principle Katherine Brooke, the lovely aunts she boards with, the immortal Rebecca Dew and many such people. There is the fair share of romance in this story, and Anne has her part in fixing up many people's lives. I think I missed Windy Willows (where she boards) as much as she when she leaves!
Anne's House of Dreams
In this book, Anne is married and lives in a little out of the way place she dubs her house of dreams. Her social circle is much much smaller, being comprised of the man-hating Miss Cornelia who blisters the men with her sharp tongue, but who is very warm-hearted, the tragic and beautiful Leslie Moore, cold and vibrant and resentful in turns, the sailor Captain Jim, the talented Owen Ford and later, the housekeeper Susan. And of course, Anne's husband (I'm trying not to spoil anything but it feels so strange calling him that all the time, as though he's a stranger in the series) and one or two more additions to the family. Like all of the other books, everything works together for best in the end. Apparently this book predated Windy Willows by many years - Windy Willows was written when a movie of Anne of made, and published for publicity. This is the last book in the series that focuses on Anne, for which I cannot be grateful.
Anne of Ingleside
Anne of Green Gables
Here, Anne undergoes a metamorphosis. She's slender and dainty and wears something of her soul in her limpid grey eyes, although she still gets into a few scrapes. The book opens with an argument with the new neighbour, Mr. Harris and his disreputable parrot, Ginger. She ends up accidently selling his cow. As it is in the first book, humor plays a large part in this novel, from when falls through the roof of someone's duck house, to when she and Marilla adopt a set of twins. Dora is prim and proper, but Davy is an adorable, irascible "holy terror". She and Gilbert also start the AVIS, the Avonlea Improvement Society, and happen to paint the hall bright blue! Anne is teaching this year and wins the love of every little soul, down to Anthony Pye of the infamous Pyes. And at the end, Gilbert is there to help her cross her threshold into womanhood. It is such an amusing read, with much of the same spirit as Anne of Green Gables. I love the cover and font of this one. Its in the impressionist, hazy brushstrokes that I think conveys Anne's soul very well.
Anne of the Island
This is Anne and her friends' initiation into adult life and the romance of youth. It is choc-a-bloc full of proposals and marriages and courting, and I think that's where a little of the humour comes in. But suddenly things are more serious, Anne is fanciful but fully-fledged, no longer the well-meaning youth always making mistakes. I kind of miss how she is before, but people do have to grow up. As well, it is her magic college years with the warmth of Patty's Place as Anne finally attends Redmond College, as her heart desires. She meets a whole new wealth of friends, among them the loveable and incorrigable Phillipa Gordon, and we also meet up again with the fanciful Stella Maynard and the lovely Priscilla Grant. Halfway through the book, Gilbert proposes, and is rejected kindly but heartwrenchingly. Then Anne's own ideal of Prince Charming comes in the form of the "dark, melancholy and inscrutable" Royal Gardiner and it seems like Anne's future is mapped out with this handsome stranger until... I like this book well, and Anne's final engagement is very satisfactory, but I miss the innocence and amusing tidbits of the earlier books. The reader definately knows before Anne who she is going to end up with.
I really like these editions of the series, by Angus and Robertson. Anne is very true to life, just as a imagined her, with the dreamy face and freckles. It has her down pat, just as Megan Follows has her down pat in the Anne of Green Gables movie.
Anne of Windy Willows (also published as Anne of Windy Poplars)Definately one of my favourites in the series. This book just hums with life. Anne has accepted the principalship of a private girls school whilst waiting out the three years until her marriage to -humm-. Again, the cover is beautiful to behold. I love the quirk of her nose and the richness of her hair, she IS Anne. The cat is Dusty Miller and the little golden girl is little Elizabeth, quaint and pixyish. The illustrator, Margaret Power, must have really enjoyed the series.
It's an epistolary novel punctuated by bits of quaint storytelling. The whole story is charming. Anne is up against the elite of Summerside, the Pringles, who run the place. They have a grudge against her and really wage warfare against her. Suddenly and unexpectedly, she wins their support through the most surprising of events. There's also a prickly vice-principle Katherine Brooke, the lovely aunts she boards with, the immortal Rebecca Dew and many such people. There is the fair share of romance in this story, and Anne has her part in fixing up many people's lives. I think I missed Windy Willows (where she boards) as much as she when she leaves!
Anne's House of Dreams
Anne of Ingleside
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